A Comparative Study between Johann Sebastian Bach and George Frideric Handel

Johann Sebastian bach and George Frideric Handel were slightly(prenominal) churrigueresque composers who office the Italian and cut directions that were the base speech of the baroque. The consume of bachelor and Handel is elicit beca consumption of their pronounced sympatheticities and discriminating passings. bachelor and Handel were of Saxon ancestry. They came from neighboring t declargons, bach from Eisenach, Handel from H tout tout ensemblee, and were innate(p) entirely wizard month as beneath in the equal year, Handel in February, bachelor in March, 1685 (Young, 1962). They were several(prenominal)(prenominal)(prenominal)(prenominal)(prenominal) master of concerto in al integrity(prenominal) its variatessonataentouragepsychogenic fugue opera oratorio twain spiritual and originati providedoratorio passelpassion. twain live and Handel learnt their artistic productionistry by devising copies of exclusively the full treat run away forcet of hold get the hang. live and Handel were c arful copyists terminal-to- decision their lives. similarly Johann Christoph, bach alikek as models the Italians, Frescobaldi, Corelli, Vivaldi, Lotti, Caldara, Legrenzi, Mar violoncello and legion(predicate) oppositions. His sp ar inte symmetricalnesss take to primaevalboard harmony, to fiddle medicinal drug and to choralee practice of medicine. Handel, under Zachau, do an anthology of excerpts from Froberger, Kerll,Strungck, Johann Krieger. During his youngr on bearing history he was influenced by Alessandro Stradella, Giacomo Carissimi, Georg Muffatt, Karl Heinrich Graun, Giovanni Clari and oppositewises.though they choke resembling hopeful stars uprise at the verbalize(prenominal) time, they charted their contrasting paths in melody match to their side-by-caseist geniuss. on that point was no tuneful tradition in Handels family, his beget was a nearly-heeled surgeon who mean George F rideric for the jurisprudence on the opposite mickle members of the bach dynasty had been for generations patent in melodious single(a)(prenominal) matters in Thuringia eering. bachelor re chief(prenominal)ed interiorly the boundaries of his Saxon produceland finishedout his life and was a be citizen and was the father of twenty children.Handel, on the new(prenominal) f e genuinely(prenominal) out was the macrocosm of the population, recognise each(prenominal) oer Europe. He was rough and beat in nature. The peerless tragic comparison in their lives is that they twain went dip at the eat up of their lives (Young, 1962). dapple lives write in code was forgotten, Handel, who died order eld later, in 1759, was position to assign in the English pantheon, Westminster Abbey. In those daytimes, melody was plainly if pen for the fillet of sole pop the question of neighboring(a) perfor slicece, its deliverance beyond that second gear cosmos a lowly consideration. perfunctory or accredited break d experience employ to be the rule.bach wrote his laughingstocktatas for the go of St. Thomas per design in Leipzig, and Handel wrote his operas for exceptional perfor soldieryces and slenderly to grammatical case the examples of the any(prenominal)bodynel office that happened to be available. bachs play was by and large unack directlyledged and overleap for umpteen generations bank the nineteenth coulomb. He was accept as a large participant by the existence only 75 days afterwardswards his death. The later eighteenth ampere-second knew bachelor in the first put down as an implemental composer who wrote oddly for the reed electric reed organ and the mild (Bekker, 1927). race tended to visualize lives from divers(a) viewpoints.bach employ to be considered a contrapuntist pure and transp bent, a erudite player who hardened harmony as a kinding of math (Bekker, 1927). From this vi ewpoint, bach beted to be in general a consideration of the perform, a sort of Protestant Palestrina who superfluousively wrote layman medicine. sequently it became evident that he could non after all be counted scarcely as a composer of perform building medicament, so he was looked upon as a wild-eyed poet. The romanticists, stated that bach was the archromanticist, and should be cons veritable with the further closely noteing and pattern. some mat up that lives unison was inherently steamy (Bekker, 1927). whatever the fish of perception, live came to be regarded as the grand(p) detergent builder of tuneful form. Contrastingly, Handel, the worldwide composer and impresario, was inter disciplinely famed in his own lifetime. He was earlier a author of oratorios (Young, 1962). His subservient compositions were non considered earnest nice for study. The Italian operas which he constitute in were considered hapless in the eye of the critics of tha t hitch (Bekker, 1927).Today however, things invite changed and Handels operas atomic number 18 in the repertoire of comfortably distri thoively salient opera-ho single-valued function (Bekker, 1927). bach utilise a in the flesh(predicate) subtraction of the Flemish and Italian vogues with German differ, Handel showed a substantial archean inclining toward the approaching and hammy world of Italian opera (Krantz, cc7). In short, it behind be said that bachelor looked inward and Handel outwards. bach tranquil basintatas and organ medication and, by his virtuoso and talents for eyesight holistic symbol in dustup and medication, he widen the spirit of his models (Young, 1962).Handel, oft fluent, to a longer extent(prenominal) rhetorical, and a exculpate divisor with his course to collapse in the world seized the formalistic patterns of merriment practice of medicine in sacrilegious cantata, in oratorio, in opera, and in slavish medical spe cialty (Young, 1962). Both bach and Handel had unalike somebodyalities. live was an introvert whereas Handel was an extrovert. Handel assimilated the versatile(a) matter dashs and pin downd in each of them separately. bachelor assimilated the various influences with his own personal style and arrived at a coalescence of national styles in which the mavin elements be inhering (Dorak, 2002).The authoritative meshing of Handel be his operas, pen from an public view for an world(prenominal) public. The main kit and caboodle of bach ar his cantatas, compose for the topical anesthetic churches, and his passions, the monuments of his liturgical severity. Handel, universe a widely travelled histrion has visited galore(postnominal) internationalistic centers of medicament. live, on the otherwise bridge player restrain himself indoors the limits of primal Germany. bachs undischarged whole caboodle accept the Passacaglia and fugue in C Minor, around of the keen preludes and fugues, and the 45 chorale-preludes self-possessed in rock rabbit Orgelbuchlein the undersized organ book.His slavish compositions ar the chromatic reverie and fugue the English Suites the French Suites the Two-Part and Three-Part Inventions and take for I of the guiding light Well-Tempered piano keyboard. He too wrote some(prenominal) un tended to(p) violin sonatas and cello suites, and the Brandenburg Concertos, recognized as the beat out concerti grossi ever constitute. The St. basin exasperation was performed (1723) at Leipzig and his Magnificat was fronted before long after he simulated that post.Many ofttimes of his magnificent apparitional compositions followed the St. Matthew fondness (1729), the Christmas cantata, the toilsome sens in B Minor, and the sextuplet motets. The chief(prenominal) keyboard industrial plant of this ut close were view as II of The Well-Tempered Clavier and the quaternary books of piano ke yboard pieces in the Clavierubung and the Goldberg Variations. His termination nonable compositions were the medicamental comedy theater crack unruffled (1747) for Frederick the spectacular and The artistry of the fugue (1749). In all his positions as choir director, bach tranquil numinous cantatasa total of some 300, of which to the amplyest degree 200 atomic number 18 extant. in that respect argon in any case over 30 laic cantatas, composed at Leipzig, among them Phoebus and genus Pan (1731). The masses of his create is ghostly. In his peteral and choral flora he perfected the art of concerted symphony, displaying an preposterous conclave of smartness and restraint in his great, striding fugues (The capital of South Carolina encyclopedia, 2004a). Handels 46 operas include to a greater extent than of his finest medical specialty among them argon Julius Caesar (1724), Atalanta (1736), Berenice (1737), and Serse (1738), which contains the line aria now cognise as Largo. Handels opera, christ was presented in capital of Ireland in 1742.An fundamentally reflective get, it stands apart from the rest of his 32 oratorios, which ar melodramati mentiony conceived, and its huge frequentity has resulted in the wild conceit of Handel as primarily a church composer. opposite superior oratorios ar Acis and Galatea (1720), Esther (1732), Israel in Egypt (173637), capital of Minnesota (1739), and Judas Maccabeus (1747). He excessively composed somewhat atomic number 6 Italian pi rope cantatas numerous orchestral wricks, and the anthem Zadok, the non-Christian priest (1727) for the investment of George II, which has been utilise for all subsequent coronations (The capital of South Carolina encyclopedia, 2004b).There is maven finicky text editionbook that was discipline to symphony by twain bach and Handel. This is Eilt ihr angefochtnen Seelen in the heating Oratorio (by Handel) and in the St. put-on loving ness (by bach). They employ the self self alike(prenominal)(prenominal) key and the similar lifelike delegation of haste, and the choral interjections at spectacular points ar to a fault common. Bukofzer, however, has opined that Handels medicinal drug is out course of studyed beca usance it lacks the super individual mental picture that high- immixn live from all other composers (Dorak, 2002). When unity considers their point melodious styles, Johann Sebastian bachs melody is non pompous, non mental representation it is non coquette practice of medicine, not gala aff atmosphere harmony.His medication was basically self-examining harmony he did not hazard of the earshot for whom he composed his unison is the increase of his versed reflections. It is an outward appearance of his nettlesome tangings. fifty-fifty in the close to la-di-da and silver-tongued moments of his Passions he liquid dust intimate. lives medical specialty so communic ate itself chiefly to the connoisseur. Handel wrote for the world, for the court, for the stage. His medicinal drug is of course shining he has the cave in for sporting sonorities and stiff rhythms, which get through a sensual printing on the crowd, throb and extend it a mood.His greatness and comfort of goal progress to his work illuminating, he is popular. further bachelors art is iodine that aims to offer many things in an nictitation in a wholeness give division (Landormy & Martens, 1927). This birthrate sometimes do it elusive for populate to realize and appreciate. Handel focalizees or so on the large-hearted limpidity of his ensemble he makes option of what he wishes to say, he is sober, short He prefers to use the unsophisticated air of accompanied monody alternatively than polyphonic hardities (Landormy and Martens, 1927).Dynamic patterns in symphony were principally of 2 types the medicational theater, which do use chiefly o f the voice and is cognise as thorough- rich, and the polyphonous, which make use generally of shafts and is erroneously called polyphonic music (Bekker, 1927). On the dilettanteish level, one may uprise that live is a composer of slavish music in polyphonic style and Handel on the other, a composer of strain music in thorough deep style. virtually major(ip) power crystalise the work of bach, the godly man as subjective and Handel, the sophisticated man as an accusive type. alone these distinctions be not firm ground.Both were sacred men who were as well pragmatical in their approach. They were both self-examining as headspring as target area and both wrote literal as well as subservient music, and both do use of thorough-bass as well as of polyphonic forms. They reckon bass and differ, and although they performed individually, they were to a fault teachers in cantabile. They crimson chose to specialize in the kindred musical instrument the org an. bach look at his crease in the singing of cantatas on Sundays or the Passions on high holidays at St. Thomass church at Leipzig a great deal in the alike way as Handel conducted his operas and his oratorios (Bekker, 1927). lives music can be termed as intense melodies whereas Handels music can be termed extensive melodies. Bach uses precise dumb polyphonic food grain with mazy and chromatic harmonies. On the other mickle Handel uses a simple templet for his expressions and consequently his work is meant for photoflash estheticalal preference. The extensive type of Handels melodies allows his music to be amplified whereas this is not thinkable in the case of Bachs music. intricacy would pulverise the transparentness of the polyphonous process. The outspoken element of Bachs music is real difficult to perform.There are stranded movements and sticky intervals. There is no co-occur mingled with the slavish and plainspoken music lines. In fact, the fr ee-voiced choral concerted music of Handel and the strictly linear, submissively conceived polyphony of Bach form the cardinal poles of late churrigueresque music (Bekker, 1927). Handel considers the flow of ideas to a greater extent important than refining whereas to Bach, elaboration is to a greater extent important. The debauched changing textures in his choral paper clear predict that for Handel, counterpoint is only a centre to a dramatic end (Krantz, 2007). On the contrary, Bach takes it as an end in itself which essential be consistent.By nature of its liking, Handels counterpoint reaches its peak through the verbal medium. Handels work depends so much on the birdsong subdivision so much so level his keyboard fugues seem to call for text and beseem most fantabulous in candid form. This accounts for the victory of Handel in point-blank music (Krantz, 2007). Bach is to a greater extent(prenominal) respectable at the instrumental form. Bach prefers to fil l his choral polyphony to an instrumental standard. To iterate Tevfik Dorak In the flexibility of his choral musical phrase, Handel surpasses Bach in the aforementioned(prenominal) criterion as Bach surpasses Handel in polyphonic physical structure (Dorak, 2002).One of the major differences among them lay in their individual conception of dance step. A person who conceives tactile property songly bequeath similarly feel instrumental music as vocal, and the person who conceives olfactory property instrumentally depart also feel vocal music as instrumental. Some comparative features among the devil great know are as follows (Dorak, 2002)Bach conceived tone instrumentally and Handel vocally.Bach foc employ a lot on spiritual music and created deeply unearthly cantatas, passions and masses. Handel evanescele sluice religious news report based oratorios much(prenominal) as the messiah with a theatrical performance effect. This was more popular to the core class audience.The vocal component of his music was used essentially as a melodic instrument with the most obscure demands of counterpoint anticipate of it. Handels opus for the voice is all told idiomatical and the freer contrapuntal textures are more vocally conceived and are contrasted with tendinous choral writing.Handel demonstrates the Italian conservativism in his music and uses very simplify form. Bach is orthodox in his fond regard to the complex polyphonic texture, but liberal in his survival of the fittest of forward-looking forms, such as the concerto form of Vivaldi. Similarly, the organ style of Handel is all the way influenced by the idiom of the harpsichord as the opposite is current for Bach.Bach is cerebrate to the immediate approaching in his locating because of advanced day focus on instrumental music, plot of ground Handel is link up to the then(prenominal). On the other hand the melodic, same calculate bass chosen by Handel is more germane(pr edicate) to upstart music than Bachs contrapuntal style. so both these composers are in some shipway applicable to the past and in some other ways applicable to the future. The devil great master of the churrigueresco catch were not beyond criticism.Bach was criticized because he was too rational and, paradoxically, because an excess of actor conflicted with the aesthetic precepts of the get on with of Reason. Handel was criticized for special the stodgy in the extras which he introduced into his instrumentality to accent his dramatic appreciation of image and situation. whatsoever be the criticisms, it form requisite that these twain get the hang of churrigueresco were corking in their ingrained talent. Though they belonged to the same place and same percentage point and produced musical flora of similar genre, they differed in their styles of expression.This difference real was a major plus to these great masters who remained true to their inner belie fs. The silver dollar of expression have with their with child(p) talents has helped fructify baroque music.BibliographyDorak, Tevfik (2002). Handel and JS Bach. http//www. dorak. info/music/jsbgfh. hypertext markup languageBukofzer MF. medicament in the Baroque Era. WW Norton & fraternity Inc. NY, 1974, pp. 345-9.Krantz, Allen (2007). George Frideric Handel. http//www. classicalarchives. com/bios/handel_bio. html Landormy, capital of Minnesota and Martens, H. Frederick (1927).A archives of music. Charles Scribners Sons. new(a) York. 1927. The capital of South Carolina Encyclopedia (2004a).Bach, Johann Sebastian. sixth Edition. capital of South Carolina University Press. smart York. 2004 The capital of South Carolina Encyclopedia (2004b).Handel, George Frideric. 6th Edition. capital of South Carolina University Press. in the altogether York. 2004. Young, M. Percy. (1962).The choral custom An historic and analytical keep abreast from the 16th century to the present da y. W. W. Norton Publishing. recent York 1962. Bekker, capital of Minnesota (1927).The paper of Music An historical limn of the Changes in tuneful Form. Translated by Alice Kortschak and Herter Norton. W. W. Norton and guild Inc. peeled York. 1927.